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ARTIST STATEMENT

 

My artwork explores my fascination with three-dimensional geometric form inspired by my lifelong passion for architecture and light. I strive to find harmony, through the forms I create, how they combine with each other and the color palettes used.  You’ll see the not-so-subtle influences of architecture and graphic design throughout all of my work, expressing freedom and movement, while always maintaining a sense of order.

As I design each sculpture I develop a visual language, that gives each piece it’s character. I start from a sketch and gradually refine each aspect of the composition. It’s a constant evolution that gives me the freedom to explore. The design of  the piece is ‘finished’ when the visual language communicates a clear message.

When the design is complete, each piece is then fabricated with a CNC machine. Once they are cut, I’m able to roughly put the sculpture together. This is my first chance to see how the layers interact with each other and how light and shadow begin to play with the forms. I can then start to make final decisions regarding final color and finishes. This is the hands on phase where I really get to know the work. I spend a great deal of time sanding and prepping surfaces for painting and then carefully making the final finishes. I take great pride in the craftsmanship that I put into each piece.

When the piece is finished and hung I can begin to see the true success of what I’ve created. Each piece is intriguing as a whole, but as you look closer there are endless evolving compositions within each. Architectural interior environments provide space and light where compositions add depth and interest. I like to invite the viewer in and explore them as if they were actual structures, looking closer at angles from side to side, above and below. It’s really fun and gratifying to see how people interact with them.

Only work which is the product of inner compulsion can have spiritual meaning.
— Walter Gropius
 
Art enables us to find ourselves and lose ourselves at the same time.
— Thomas Merton